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First National Preventive Health Research
Programme
YELP Holistic First Business Plan
YELP Holistic First Business Plan Defined Terms
SWOT Analysis
Executive
Summary
Deliverables And Costs
Snapshot Page
To 10 Benchmark Techniques
Defined Terms for Five YELP Business Plans
Second National Preventive Health Research Programme
First BTAAP
Business Plan
Bohémian Teenagers Show Choir Programme
Defined Terms BTSCP
Second BTAAP Business Plan
Bohémian Teenagers Symphony Orchestras
Programme
Defined Terms - Bohémian
Teenager Symphony Orchestra Programme
Third BTAAP Business Plan
Bohémian Teenager Ballet
& Modern Dance
Programme
Defined Terms BTB&MDCP
Twenty Renowned Orchestras, Choirs, Theatre Companies And Workshops Which Have Successfully Targeted
Homeless and
Marginalised
means:
(a) Latin American country, Venezuela,
has
delivered, over the last 34 years
The National Youth Orchestra System,
colloquially known as
El Sistema, successfully steering more than a million kids, many from slum areas, away from a
life of drugs/crime, into the world of classical music, and conducted
orchestral performances at esteemed concert halls which include the
BBC Proms and
The Lincoln Centre.
The fundamental tenet of
El Sistema is not musical, but social.
The ABC documentary series
Foreign Correspondent
telecast
Bravo! Encore!
on 30 June 2009
(b)
ABC production
Choir of Hard Knocks,
based on
Sydney
Street Choir of circa 2001,
which
drew upon the musical talents of
Jonathon Welch
to assemble a choir in
Melbourne which morphed into the
Melbourne Street
Choir, Inc.
(c)
The Milk Crate
Theatre, Surry Hills Sydney is
Australia's only theatre company dedicated to
working with people who have experienced
homelessness and disadvantage. First and
foremost a community. It consist of creative
individuals who come together to make
entertaining, challenging and inspiring
performances, whilst exploring issues, opinions
and life experiences in the process. We are a
direct partnership between professional actors,
artists, welfare services and community
participants, walking a line between
professional theatre and community development.
Its Artistic Director is
Mirra Todd.
(d)
Montreal's Accueil Bonneau Homeless choir
which won accolades and hearts from its
diverse repertoire from 'The Mamas and the Papas'
California Dreamin' to Beethoven's
"Ode to Joy" -- not just in Quebec but across
Canada and worldwide -
-
recording six albums over a 6 year tenure,
-
performing more than 1,000 live concerts in cities as
far away as Paris,
-
eventually disbanded due to the members elevating
their orchestral skills and
QOL.
(e)
Big Noise delivered by the organisation
Sistema Scotland
(f)
El Sistema USA
- a visionary global movement to transform the lives of
children through music. A new model for social change.
(g)
USA the
VH1 Save The Music
Foundation is a non-profit
organization dedicated to restoring instrumental
music education in America's public schools, and
raising awareness about the importance of music
as part of each child's complete education.
Since 1997, the VH1 Save The Music Foundation
has provided $45 million worth of new musical
instruments to more than 1,700 public schools in
more than 100 cities around the country,
impacting the lives of more than 1.4 million
public school students.
(h)
El Sistema New Brunswick,
Canada
youth orchestra.
(i)
Green Valley Youth Choir
from
Sydney’s South
Western suburbs
is one
of Western
Sydney's
noteworthy
success stories.
First came
together in
October 1968. Today
there is in
excess of
30 active
singers ranging
in age from 9 to
19 years.
Since
its inception 38
years ago,
hundreds of
young people
have passed
through its
ranks. Has
performed with
many top
performers from
both Australia &
overseas,
including the
late Peter Allen, John
Farnham, Julie
Anthony, Kamahl
& Marcia Hines.
International
acts include
Mariah Carey &
Noel Paul Stookey from
folk royalty
Peter Paul &
Mary.
Internationally
renowned with
tours of New
Zealand, Israel,
Canada, England
& the USA to its
credit.
GVYC has sung in
many of the
world’s
cathedrals &
church
congregations. In 2003 the
choir were
invited to
return to the
USA & Canada
which culminated
in 2
performances in
Disneyland, &
the California Adventure theme
parks.
Plans were
under way for a
World Tour in
June / July 2008
to mark GVYC’s
40th
anniversary,
with concerts
already
confirmed in
Hong Kong,
Europe, The USA
& Canada.
(j)
Woden Valley Youth Choir was founded in 1969
and appeared before
the Queen and the Duke of Edinburgh
on three occasions, sung for the
Prime Minister many times, performed
with the Australian Opera, with
symphony orchestras, and at major
concerts with international guest
artists. One of the occasions that
will remain as the highlight of
their choir membership was
singing at the ceremony for the
conferring of the Honorary Degree of
Doctor of Laws on Nelson Mandela in
2000. WVYC has
hosted many national and
international choral groups and has
revelled in the exchange of music and
friendship with each of them. WVYC has
recorded four albums, a one hour
television special and four CDs.
Appears on 'Macca on Air -
Songs from Australia All Over', and
on the international Christmas CD,
'the Children's Gift' in company
with the Vienna Boys Choir and other
world renowned choirs. Undertaken six overseas tours, the
most recent in 2006 to the USA.
(k) The
Australian Foundation for Disability ("AFFORD") is a
not-for-profit organisation which provides day programs, skills development,
transition to work training, supported and open employment, and accommodation
for people with additional needs.
AFFORD provides support and respite enabling over 1,300
Disabled Australians to lead
richer, more rewarding lives.
"WESTERN SYDNEY'S GOT TALENT"
explains that
AFFORD has, over recent years, enabled over 70
Disabled Australians from Western
Sydney to sing and dance in an annual two hour Variety Show Spectacular at Joan
Sutherland Performing Arts Centre, Penrith NSW. The
Department of Ageing Disability
and Home Care (DADHC) provides funding of almost $8 million to help
AFFORD run
its programs.
(l)
Restless Dance
Theatre of Sturt St, Adelaide, under Artistic Director,
Philip Channells,
is -
(a) a leading Australian dance company
working with young
Disabled,
Abled and
Marginalised Australians to create dance theatre and run workshop
programs;
(b) a place where dance is used as a
mode of expression which allows people to speak eloquently to everyone;
(c) an integrated dance company where
the art is made by young people with different skillsets for a diverse audience;
and
(d) runs a core workshop series called
Restless Central open to anyone aged 15 to 26 which employers dance
instructors and collaborators, on a professional basis, to develop new
performance routines for touring nationally and international - performs at
least one major new performance routine each year.
(m)
The BiPolar
Bears -
(a) is well known throughout Victoria
for their high energy performances and high profile advocacy of mental health
issues whose artistic director is
Phil Heuzenroeder
;
(b) is part of the City of
Port Phillip’s Access Arts program, designed to create arts
participation opportunities for people living with a mental illness;
(c) have been playing for
15 years, making it one of Melbourne’s most stable rock groups;
(d) have played at
Federation Square, the Sydney Opera House, Brisbane’s Powerhouse,
Rockhampton, with the Choir of Hard Knocks on ABC radio, across
country Victoria, St Kilda Festival, regularly at Club Wild’s
discrimination-free dance party events, endless mental health events
and recently a performance for inmates of the psychiatric ward at
Port Phillip prison;
(e) have featured on
radio, in print and on C31 TV over the years;
(f) play a wide
ranging repertoire of original and covers songs, from rock to blues
to punk and have released 2 CDs of original songs; and
(g) have collaborated with
some Australian music industry greats, including Ross Hannaford
(Daddy Cool) and Pete Satchell (Dallas Crane).
(n)
Club Wild,
for people with a
Disability in particular people with mental health
issues, -
(a) runs workshops in song
writing, music playing, dance, performance, music video making,
video storytelling, animation, DJing, MCing, VJing, lighting, audio,
stage management and event design and presentation;
(b) creates and trains
rock bands, vocal groups, hip hop groups, DJ’s, MC’s, VJ’s,
production and event teams;
(c) currently have
projects running in North and South Melbourne, Craigieburn and
South Morang in Melbourne, Australia; and
(d) supports a number of
artists and bands including
Heidi Everett and the
Bipolar Bears
(o)
Social Infrastructure Lifestyle Programme
notes that, under the
National Australia Banks 'Schools First'
Awards
Program,
the Melbourne
Symphony Orchestra has taken carriage to tutor students at the
Meadows Primary School (situated in a low socio-economic area of
Melbourne) in classical music and string instrumental playing which
is having a powerful impact on the children and especially their
engagement with learning across all subjects.
(p)
Carclew Youth Arts means
South
Australia’s only multi-artform and cultural organisation,
formed in 1972, which is dedicated to artistic
outcomes by and for people aged 26 and
under;
(q)
"Switch" in Blacktown
is a
new dance
project targeted at the underprivileged,
as part of
Comm4unity -
Community off on a positive path; and
(r)
Kurruru
Youth
Performing
Arts
has been one of Australia’s leading Aboriginal and Torres
Strait Islander
youth
performing
arts companies since its inception as Port
Youth Theatre Workshop in 1984;
(s)
Aboriginal Islander
Dance Theatre (1976 - 1998) was a performing group of
traditional and contemporary dance with its early promotional
material stressing the modern Aboriginal/Islander identity;
(t)
The
Deadly
Dancers
is a Indigenous Youth programme instigated by a
community man,
Dhinawan, which started at Brunswick Heads Public School when Dhinawan met the school staff and Principal Mr Channels to discuss a
Coroboree Program for all the Indigenous students.
Ipso facto the Deadly Dancers was born!
In reviewing
several of the above precedents, it is apparent that there is no shortage of
"willing-takers" to learn and compete in 'The Performing Arts' across
Australia in low socio economic regions. What is missing is a foundation
and a structure for "willing-takers" to compete against each other where
an audience is assured.
Re (d) above,
the fact that
the
Montreal's Accueil Bonneau Homeless choir
ultimately disbanded "due
to the members elevating their orchestral skills and
QOL"
is patent testimony to the scope of
the
BTSOP SPV
to deliver its
Six Functions to
achieve the
Seven Purposes
of the
Second BTAAP Business Plan
whilst maintain
an
Orchestra Performance
Focus.
Re (a)
above, the below
explains other countries which have adopted the
Venezuela Model:
A
BBC TV
documentary
programme in the
Imagine
arts series, first shown on 18 Nov 2008,
examined the history and ethos of the
Venezuela Model and
its role in tackling the social problems of
Venezuela and its success in transforming the lives
of some of the nation's poorest children, including
interviews with Gustavo Dudamel, key members of the
orchestra, and current and former students.
Hosted by
Alan Yentob,
the film took a detailed look at the unique music
education system of Venezuela, of which the
orchestra is an integral part, and described the
recent attempt to imitate its success in a deprived
part of Scotland.
Below are extracts from
the article
"Sistema Scotland Adopts Venezuelan Musical Miracle"
which explain the programme,
Big Noise, delivered by the organisation
Sistema Scotland.
The fundamental
principle of El Sistema, which is that the main aims of
Big Noise
are not musical, but social. “We use the orchestra as an engine for
social change,” “If we produce great musicians then that will be
great, but it’s not our principle purpose. Existing children’s and
youth orchestras do a great job producing excellent musicians. We
are not seeking to replace any of those or make them Sistema
orchestras. But we hope that the children we work with – children
who would not previously have joined existing youth orchestras –
will now do so after coming to music through Sistema.” Furthermore,
Sistema-inspired orchestras can work in more than one type of social
circumstance. “Wherever you go in the world, there will be
communities suffering from feelings of exclusion, which lead to poor
health, crime and substance abuse. It might take some adapting to
local circumstances, but we think a Sistema-like orchestra could
play a big part in bringing about generational change in areas like
that anywhere. We could look at Sistema as being the regeneration
that goes on inside people’s head, in order to match the
regeneration that has gone on in the streets.”
The initial
Big Noise youth orchestra is in
Raploch, a community that is “comparatively at the bottom of the
economic scale in Scotland,” ranked in 2004 as “one of the top 5% of
areas of multiple deprivations in Scotland.” The average income in
Raploch is £6,240, and 22% of the community experiences incidents of
the ‘Big 3’ (coronary heart disease, stroke and cancer). “In our
program,” says Killean, “over 50% of the children who attended the
Summer School in 2008 came from families who were or had been
involved with social services.” Comparatively, deprivation in
Scotland ranks nowhere near that found in Venezuela. “Absolute
poverty is worse in Venezuela where people live in shanty towns, may
well have difficulty finding enough to eat, and where we know of
children who have been shot on the way to orchestra practice.
Scotland is a typical post-industrial society, and while there is
general prosperity, many urban areas suffer from depravation, crime,
substance abuse, and poor health.”
Generated by the
instructors at Big Noise, the repertoire played by the children is
primarily based upon fun songs and games. As Killean explains, “the
curriculum is progressive, so in nursery you may learn a song, walk
it, sing it, clap it, and in Primary 1 you may also use this song,
but progress in how you work with it. Then, in the after-school
programme, you will be learning how to play this song on the
instruments. All of the repertoire we use is pitched appropriately
for both the children’s voices, and for beginning work on the open
strings.”
With a budget
provided by the
Scottish Arts Council as well as numerous private donations,
Big Noise
hopes to start up orchestra centres in Glasgow and Aberdeen by
2013, bringing the total of Big Noise centres to three. A good
deal of support and inspiration has come from FESNOJIV (National
System of Youth and Children Orchestras of Venezuela), who in
their thirty-plus years of experience have demonstrated the
value of orchestras as “engines for social change.” Big Noise
is in fact the UK representative for FESNOJIV. Killean adds
that they have “supported us with a good deal of information,
and hosted visits where the organizers of Sistema Scotland and
our musicians have been able to see and learn from El Sistema in
action. We are very proud that they have officially accepted us
into the Sistema family.” Further support has come from the
BBC Scottish Symphony Orchestra, and BBC Scotland, which is
currently working on a documentary about the efforts being done
at Big Noise.
See also
“North American
Counterparts: El Sistema Inspires Projects in Ottawa & New York,”
See also
Success Of Show Choirs In Motivating U.S. College Students.
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