First National Preventive Health Research Programme  YELP Holistic First Business Plan    YELP Holistic First Business Plan Defined Terms   SWOT Analysis   Executive Summary   Deliverables And Costs   Snapshot Page To 10 Benchmark Techniques   Defined Terms for Five YELP Business Plans

Second National Preventive Health Research Programme    Bohémian Teenagers Arts Assistance Programme      Defined Terms BTAAP

First BTAAP Business Plan      Bohémian Teenagers Show Choir Programme        Defined Terms BTSCP

Second BTAAP Business Plan    Bohémian Teenagers Symphony Orchestras Programme    Defined Terms - BTSOP

Third BTAAP Business Plan    Bohémian Teenager Ballet & Modern Dance Programme        Defined Terms BTB&MDCP

Aboriginal Islander Dance Theatre (1976 - 1998) means AIDT was set up as an ongoing performing group in 1976. Originally made up of young people participating in 'Careers in Dance', a full-time dance training course for Aboriginal and Islander students initiated in 1975 by the Aboriginal Arts Board and led by founding teacher Carole Johnson. The group developed to include teachers, graduate students and advanced students of what eventually became NAISDA (National Aboriginal and Islander Skills Development Association) College, and frequently invited guest artists to perform with it. AIDT became a professional performing group in 1988 and was launched as a company in 1991 under the artistic directorship of Raymond Blanco. From this time, the group identified itself as AIDT - The Company and the repertoire was choreographed by the artistic director, the dancers and guest artists including Paul Saliba.

The AIDT repertoire was based on traditional and contemporary dance with its early promotional material stressing the modern Aboriginal/Islander identity. Indigenous tutors such as Janet Munyarryun, Veronica Munyarryun, Larry Gurruwiwi, Michael Warusam and Cedric Waia taught traditional choreography and Dorothea Randall and Rosalyn Watson played an important role in contributing Indigenous choreography to end of year productions in the 1980s. Over the years other Indigenous choreographers would include David Gulpilil, Dell Sebasio and Stephen Page. Non-Indigenous choreographers who worked with the company include Ronne Arnold, Robina Beard, Elisabeth Burke and Pierre Thibaudeau, Kate Champion, Kai Tai Chan, Karen Kerkhoven, Chrissie Koltai, Paul Saliba, Cheryl Stock and Bernadette Walong. From 1991 AIDT repertoire included Jedda (1991), Maralji (1991), Yirrkala (1991), Colours (1993), Gelam (1993), On the Spot (1994), and Sanctum (1994).

AIDT's first international tour was in 1977 when Wayne Nicol, Michael Leslie, Richard Talonga, Lillian Crombie and guest artist Roslyn Watson participated in the African and Black World Festival of Arts and Culture in Nigeria. Its first international tour as a larger company was in 1988 when AIDT performed in Finland and Germany. Later tours took the dancers throughout Australia and internationally to Asia, Europe and the Americas. Notable dancers with AIDT in the 1980s included Monica Stevens, Sylvia Blanco, Kristina Nehm and Percy Jackonia. In 1991, with Raymond Blanco as artistic director, the dancers included Marilyn Miller, Cheryl Pitt, Breee-an Jordan Munns, Dennis Newie (Dujon Niue), Gary Lang, Matthew Doyle and Raymond Blanco.