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First National Preventive Health Research
Programme
YELP Holistic First Business Plan
YELP Holistic First Business Plan Defined Terms
SWOT Analysis
Executive
Summary
Deliverables And Costs
Snapshot Page
To 10 Benchmark Techniques
Defined Terms for Five YELP Business Plans
Second National Preventive Health Research Programme
First BTAAP
Business Plan
Bohémian Teenagers Show Choir Programme
Defined Terms BTSCP
Second BTAAP Business Plan
Bohémian Teenagers Symphony Orchestras
Programme
Defined Terms - Bohémian
Teenager Symphony Orchestra Programme
Third BTAAP Business Plan
Bohémian Teenager Ballet
& Modern Dance
Programme
Defined Terms BTB&MDCP
Interested
Marginalised
Teenagers
or IMTs
means
for the
BTB&MDCP Australians from aged
13 to 19 who, inter alia:
and live
within, or near to, the
Selected
20 Lowest Socio-Economic Regions
In Australia With A Population >1,500
and agree to join a
BTB&MDC
and attend the
Dance Class Venue,
pursuant to -
-
IMT Student
Dancer Acceptance Procedures;
-
BTB&MDC
Participation Protocols;
and
-
Secular Pro-Rata Religious Beliefs Basis.
Each
Interested
Marginalised Teenager
who joins a
BTB&MDC
may
perform in the
Annual National
Bohémian Teenagers Ballet
& Modern Dance
Competition for a
Caped Seven Year Tenure
provided he/she adheres to
BTB&MDC
Participation Protocols.
Styles Of Dance notes -
at point 4:
The
Corroboree
is the ceremonial meeting of
Australian Aborigines
by interacting with the
Dreamtime through dance, music and costume. Many ceremonies act out events
from the Dreamtime. In the northwest of Australia, Corroboree is a generic word to define theatrical practices as different
from ceremony which is for invited guests only. Across the
Kimberley the word
junba is often used to refer to a range of
traditional performances and ceremonies.
Corroboree and ceremony are
strongly connected but different. Corroborees are open performances
in which everyone may participate taking into consideration that the songs and
dances are highly structured requiring a great deal of knowledge and skill to
perform.
Throughout
Australia the word Corroboree embraces songs, dances, rallies and
meetings of various kinds. In the past a Corroboree has been inclusive of
sporting events and other forms of skill display. It is an appropriated English
word that has been reappropriated to explain a practice that is different to
ceremony and more widely inclusive than theatre or opera.
at point 5:
The
Aboriginal Islander
Dance
Theatre (AIDT) was set up as an ongoing performing group in 1976. It was
originally made up of young people participating in Careers in Dance, a
full-time dance training course for Aboriginal and Islander students initiated
in 1975 by the Aboriginal Arts Board and led by founding teacher Carole Johnson.
The group developed to include teachers, graduate students and advanced students
of what eventually became NAISDA (National Aboriginal and Islander Skills
Development Association) College, and frequently invited guest artists to
perform with it. AIDT became a professional performing group in 1988 and was
launched as a company in 1991 under the artistic directorship of Raymond Blanco.
The AIDT repertoire was based on
traditional and contemporary dance with its early promotional material stressing
the modern Aboriginal/Islander identity. Indigenous tutors such as Janet
Munyarryun, Veronica Munyarryun, Larry Gurruwiwi, Michael Warusam and Cedric
Waia taught traditional choreography and Dorothea Randall and Rosalyn Watson
played an important role in contributing Indigenous choreography to end of year
productions in the 1980s. Over the years other Indigenous choreographers would
include David Gulpilil, Dell Sebasio, Stephen Page and Bernadette Walong.
Non-Indigenous choreographers who worked with the company include Ronne Arnold,
Robina Beard, Elisabeth Burke and Pierre Thibaudeau, Kate Champion, Kai Tai
Chan, Karen Kerkhoven, Chrissie Koltai, Paul Saliba and Cheryl Stock. From 1991
AIDT repertoire included Jedda (1991), Maralji (1991), Yirrkala (1991),
Colours (1993), Gelam (1993), On the
Spot (1994), and Sanctum (1994).
AIDT's first international tour
was in 1977 participating in the African and Black World Festival of Arts and
Culture in Nigeria. Its first international tour as a larger company was in 1988
when AIDT performed in Finland and Germany. Later tours took the dancers
throughout Australia and internationally to Asia, Europe and the Americas.
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It is envisaged that approx. 50% of the
Selected
20 Lowest Socio-Economic Regions
In Australia With A Population >1,500
would be dominated by
Indigenous
Australian teenagers. Hence, the
Corroboree and
Aboriginal Islander
Dance would be danced by many of the
BTB&MDC's
as they express their native heritage.
Refer
Section
16(c).
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